The rituals began with 'nirmalya darshanam' at 4 am. Peruvanam Kuttan Marar presented the `panchari melam’ during the siveli held from 7.30 am to noon.
 Photo ID: TPRA_019 |
 Photo ID: TPRA_004 |
 Photo ID: TPRA_014 |  Photo ID: TPRA_020 |
Pookalam (Floral Carpet) during Onam Festival.
Cocooned in blissful isolation between the verdurous Ghat mountains in the east and the azure Arabian sea in the west, the tropical coast of Kerala, nurtured by the benevolent monsoon showers, is the dreamland of tourism in South India.The history of the region stretches back to ancient times when the scent of its spices attracted to its silver shores traders from all over the world: Phoenicians, Romans, the Chinese, Arabs and Jews.The same scent of seduction brought in later centuries the Dutch, the Portuguese, the French and the British. All these races were received with warm oriental hospitality by the people of Kerala.The fabulous Chinese nets at Fort Cochin, trapped in the nostalgia of this ancient trade tradition, and the Dutch Palace and the Jewish Synagogue at Mattanchery are a few of the evidences of Kerala’s assimilation and integration of alien cultures.
Even in the midst of these diverse influences, Kerala has retained, in all these centuries, its ethnic identity. Its strongest flavour is felt in the Festival of Onam, celebrated in honour of the Demon King Mahabali who returns from the Underworld every year to visit his loving subjects.In major cities of Kerala, Tourist Fairs are organized during Onam, an integral item of which is the carnival of Snake Boat Races in the exotic Back Waters.
The festivals of Kerala are in fact a proof of her long and proud tradition of interreligious tolerance and friendship. Kerala has the longest history of Christianity, commencing from the arrival of St. Thomas himself in AD 52. The first Muslim Mosque in India was built in Kerala in 8c. AD. The Jews built their Synagogue in Cochin in 1567. Kerala is also the proud birthplace of sage Adi Sankara, one of the greatest exponents of Advaita Vedanta.
The cultural ethos of the people of Kerala finds its finest expression in their performing arts. Kathakali is a very sophisticated indigenous dance drama which can claim a tradition of more than 1500 years.However, the earliest theatrical art forms of Kerala are Koothu and Koodiyattam, whose cast had included actresses, centuries before they were introduced in European theatre. Other distinctive performing art forms of Kerala are Mohiniyattam, Ottan Thullal, Parayan Thullal and Seethankan Thullal.
Parallel to these classical forms, Kerala has preserved her ancient folk rituals which embody the collective aspirations of the community in colourful performances. Theyyam, Thira, Thiyyattam, Mudiyettu and Padayani are a few of these cult-oriented dance forms.
Behind the energetics of Kerala’s classical or folk performing arts may be seen the body culture nurtured rigorously by Kalarippayattu, one of the oldest and most comprehensive martial art forms now extant in the world.Its comprehensiveness is evident in its specialization of the indigenous medical practice collectively called the Ayurveda, which, with its vast herbal repertoire and highly skilled oil massage techniques, attracts a large influx of tourists every year to the various health centres of the state.
The growth of Ayurveda as a potent system of medicine owes itself to the vast stretches of forest land on the Ghat mountains, home of very rare and valuable plants.The flora and fauna of the virgin rain forests like the Silent Valley are so innumerable that most of them are yet to be documented.The wild life sanctuaries of Thekkadi, Wynadu and Parambikkulam and the bird sanctuary of Thattekkadu serve as havens of soothing solitude to eco-friendly tourists who dream of an escape from the dinand bustle of oppressive urban settings.In the solidified silence of these natural habitat one can easily relate oneself to the vast elemental forces of Mother Nature.
Text by Prof.C.S.Jayaram from the Book " KERALA The Verdant Land " published by Bimal Raj.E.K.
Posts
Comments
0 comments:
Post a Comment